Peter had a very strong vision for the direction that the Real World label should take – for how the studios in Box could be central to recording musicians with state-of-the art equipment, yet still preserve all of the ethnicity and the roots-level feel of the music. To put the music onto a world stage, but at the same time not compromise what it was that he himself appreciated and loved in that music. So that informed our brief – to build a graphic framework that represented Peter’s vision. The fact that we were able to create something that has lasted this long, with that kind of resilience and longevity, it’s great that it still does work. Fantastic.
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More Real World Tales
- Angel Romero (World Music Central)
- Alan James (Manager, 9Bach & Spiro)
- Kerry Clarke (Artistic Director, Calgary Folk Music Festival)
- John Diliberto (Echoes radio)
- Ian Anderson (fRoots Magazine)
- Charles Driebe (Manager, The Blind Boys of Alabama)
- Spiro (musicians)
- Justin Adams (musician & producer)
- Nick Page [Dubulah] (musician and producer)
- John Hollis (producer & manager)
- Russell Mills’ tale (Artist)
- Jo Frost’s tale (Songlines editor)
- The Story of Real World 25
- Kevin Killen’s tale (producer & engineer)
- Jonathan Romney’s tale
Real World Records
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